Stephen Dwoskin Movies

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film...

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

Filmed in New York in 1964, completed in London 1967.

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert...

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do.

A film about the writing of Brendan Behan realised through three performers wandering through Dublin reciting extracts from his work. Together it...

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

Reel 13 of Gérard Courant's on-going Cinematon series.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

This autobiographical film evolves from the perspective of events and images over a period of over 50 years.

The first three of a series of intriguingly personal and erotic engagements seen in the privacy of darkness and transformed by the iridescence of the...

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

Short experimental film by Stephen Dwoskin.

The beginning of the prevalent theme – or question – what keeps us apart, even when together? This question in the later film not just...

“My grandfather was a charming artist, and he would have acted if he had had an audience. In this film, taken from family images, it is a...

Avant-garde appeal on behalf of and made by the adventurous leftist London cinema, The Other Cinema, using the facilities provided by the BBC...

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...