Dean Kavanagh Movies

A silent film adrift in the lost rooms of an old house. A final letter to an old friend.

Cut to the chase was a phrase used by Hollywood studio executives, meaning “don't bore us with the dialogue - get to the interesting scenes...

Stertched images along stretched time.

‘My first movie’.

A found-footage film that seeks to sever all narrative ties.

A séance of old and new light.

The second film in a two-part study of daily routines.

The first film in a two-part study of daily routines.

Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen...

The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.

A young man films his family to better understand them and as a result is destroyed by them.

Originally conceived as a road movie, Sound from the Valley Floor is at once a film diary and a perverse comedy permeated with a dream logic.

A man investigates a memory of places and people. The evidence drifts deeper and deeper into an unforgivable jungle; he might not be the true owner...

This found footage project takes the form of four experimental films surrounding the mystery of the titular character. Rather than overtly appearing...

Haunted by the memory of a blind woman with visionary powers, a man revisits the sites of their love affair. Rather than unfolding as a traditional...

Onlookers at the canal.

The troubling hallucinations of a deranged mind.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.