Heiner Müller Movies
- 1995
On the Way to a Theater of Darknesses
On the Way to a Theater of Darknesses01995HD
The conversation begins on the topic of Müller’s plans for new plays. Müller tells us that he has promised to write a libretto for...
- 1994
I Owe the World a Dead Person
I Owe the World a Dead Person01994HD
In order to justify interpreting the Oresteia as a representation of the "birth of democracy" (P. Stein), one has to repress a lot, for example the...
- 1995
My Rendezvous with Death
My Rendezvous with Death01995HD
The title of the interview is from a line in a poem written by an American about the battle of Ypern in World War I: “My rendezvous with Death...
- 1991
Every Frozen Structure has its Academy
Every Frozen Structure has its Academy01991HD
At the time of the conversation Heiner Müller was the president of the Academy of Arts - East. At the beginning he describes his daily routine...
- 1995
The Voice of the Playwright
The Voice of the Playwright01995HD
One of Müllers's vocal cords was paralyzed as a result of a life-saving radical operation (1995). At the beginning of the discussion Müller...
- 1995
Omnivore Democracy
Omnivore Democracy01995HD
In this journal, Alexander Kluge and Heiner Müller talk about the dark side and the inevitability of democracy. Heiner Müller believes that...
- 1993
Anti-Opera
Anti-Opera01993HD
Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century. He talks about his flight over Siberia and...
- 1990
Heiner Müller on Legal Questions
Heiner Müller on Legal Questions01990HD
"The metaphor is cleverer than the author" (Lichtenberg), a "screen," an "instrument for bundling" (Müller), because "everything changes so...
- 1993
The Death of Seneca
The Death of Seneca01993HD
Citing Nietzsche, Müller describes the motive of the philologist as "greed," "simply wanting to have everything, grasp everything, know...
- 1994
The World is Not Bad, but Full
The World is Not Bad, but Full01994HD
The central topic of the interview is the ancient concept of a necessary balance between the dead and the living, which also assumes the notion of a...
- 1989
Conversation with Heiner Müller in Garath
Conversation with Heiner Müller in Garath01989HD
In 1989, Heiner Müller staged an unabridged seven-and-a-half hour Hamlet, because in the process of German reunification "a leave-taking from...
- 1993
Plowshare of Evil
Plowshare of Evil01993HD
Citing Nietzsche, Müller defines intellectuals as the "ploughshares of evil," whose task it is "to create chaos, to destroy conceptions of...
- 1995
Queen of Hearts on Judgment Day
Queen of Hearts on Judgment Day01995HD
The horizon of this conversation is marked by Müller's personal memories, reflections about ongoing themes in his work, thoughts about his...
- 1994
Under the Sign of Mars
Under the Sign of Mars01994HD
This "music magazine" is a montage of visually alienated historical film clips of tanks and soldiers (First and Second World War), pictorial...
- 1970
Hamletmachine
Hamletmachine01970HD
A filmed Musical adaption of Heiner Müller's 1977 play HAMLETMACHINE preformed at The Castillo Theater in 2002.
- 1997
The Poet as Metaphor Slingshot
The Poet as Metaphor Slingshot01997HD
The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with...
- 1996
Epic Theater & Post-heroic Management
Epic Theater & Post-heroic Management01996HD
The discussion begins with the parable of a frog in boiling water. It comes from the book "Post-heroic Management: A Manual" by Dirk Baecker, which...