Experimental Cinema Movies

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm...

Canceled short film.

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the...

Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.

A closeted transgender woman is comforted by dancing to confront her sexual demons.

Using archival iPhone footage of both the places my father and I call home and our childhood photos, this work collages time and space, traveling...

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful...

A short experimental film about a younger man and what he does when he's alone and bored at home.

Three images of a person running in the void through the movement of speed and abstract images

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on...

Laser’s hallucinatory investigative report explores Paris’s Pitié-Salpêtrière Hospital, widely considered the...

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

Narrative revolves around an individual confined within the constraints of their existing reality, yearning to break free into a dream...

The silent daily routine of a young man is revisited through Dostoevskian musings.

Three filmmakers bring back images of the forest. They are reworked and destructured with the means of the photochemical laboratory. BOSCO is a...

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental...

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal...

On setting and forgetting.